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Cult Films: Retro Reviews for Now People

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Cult Film Reviews

Where hindsight is 20/20.

play something else — Dunaway. McQueen. Thomas Crown Affair. 1968

Recent Additions:

The Love Witch
Gun Crazy
Breathless: No One is Ever Surprised by Anything
Eye of the Devil: Sharon Tate Breaks the Fourth Wall

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2026 Ian M. Clarke

Author Ian ClarkePosted on March 8, 2018November 15, 2026Tags 1960s films, 1970s films, billy jack, Black Sunday, Black Sunday: A Horror that thinks it’s a Romance Blast of Silence: An existential wail Blood & Black Lace: Horror of Hallucination Carnival of Souls: A World Without Money Casino Royale (1967), Blast of Silence, Blood and Black LAce, Brides of Dracula, Casino Royale (1967), Christopher Lee, Cult Films, Danger Diabolik, david niven, Death Laid An Egg, Don't Look Now, donald sutherland, Don’t Make Waves, dr phibes, Dracula, Dracula and Frankenstein, Easy Rider, elliot gould, Eye of the Devil, Faster, Faster Pussycat Kill Kill, Faster Pussycat Kill Kill!, faye dunaway, fellini, Film Reviews, Frankenstein, Head the Monkees, Kill, marlon brando, Maroc, MASH, Mash 4077, McCabe and Mrs. Miller, Mick Jagger, Performance, Performance Mick Jagger, peter sellers, Planet of the Apes, Point Blank, Pussycat, retro film reviews, roman polanski, sharon tate, Some Girl Do, steve mcqueen, Suspira, Suspiria, Tenebre, The 10th Victim, The Fearless Vampire Killers, The Long Goodbye, The Night of the Following Day, The Thomas Crown Affair, The Wickerman, The Wrecking Crew, There's a Girl in my Soup, tony curtis, Two lane blacktop, ursula andress, Valley of the Dolls, who killed teddy bear?, witchfindergeneral, Withnail and I, woody allen

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Collected Reviews by Ian M. Clarke

2001: A Space Odyssey: Or Why Humans Don’t Belong in Space
A Dandy in Aspic: Hell is Other People
Abominable Dr. Phibes, The: A Triumph in Horror-Comedy
After Hours: Scorcese Does Buster Keaton
Ballad of Tam Lin, The: The Manson Family Goes to Scotland
Barbarella: Sex & Special Effects
Billy Jack: Jekyll & Hyde Go Hippy
Black Sunday: A Horror that thinks it’s a Romance
Blast of Silence: An existential wail
Blood & Black Lace: Horror of Hallucination
Blowup: Existentialism vs. Capital Investment
Breathless: No One is Ever Surprised by Anything
Brides of Dracula, The: a vampire battles chronic health issues
Carnival of Souls: A World Without Money
Casino Royale (1967) “The name is Bond, Jimmy Bond”
Cemetery Man: The Enduring Irony of Zombies
Charley Varrick: Breathing in an Analogue World
Ciao! Manhattan: Edie Sedgwick Shatters the Third & Fourth Walls
Danger: Diabolik: Look, Don’t Watch
Daughters of Darkness: The Banality of Evil
Death Laid an Egg
Don’t Look Now: When Evil Loses its Context
Don’t Make Waves: Or ‘How a 60’s FrankenFilm Pulls it Off
Dracula & Frankenstein: A Crypt, a Castle and Nietzsche
Dracula A.D. 1972: Charles Manson Meets Van Helsing
Easy Rider: An Alluring Notion of Freedom
Endless Summer, The: Kerouac On the Beach
Equinox: Wonders of the World Are Many
Evil Dead, The: Horror at a Gonzo Tempo
Eye of the Devil: Sharon Tate Breaks the Fourth Wall
Faster, Pussycat, Kill, Kill!: Campy Menace
Fearless Vampire Killers, The: The Challenge of Comedy Horror
Forbidden Room, The: How to Manipulate Deception
Gun Crazy: Of Strange Vibes & Dark Shadows
Haunting, The: The POV Becomes You
Head: The Monkees’ Suicidal Act of Deconstruction, man
Hospital, The: A Multi-Genre D.O.A.
I Vampiri: Such Casual Horror
Incubus: Of Shatner, Esperanto & Demons
Iron Rose, The: An Equation of Gothic Seduction
Long Goodbye, The: Rip Van Winkle woke up in 1973
Love Witch, The: A Problem with Retro
Lust of the Vampire: Horror Goes Zen
M*A*S*H: Or Animal House Goes to Korea
Magical Mystery Tour: The Whole is Greater Than the Parts
Marcoc 7: C’mon Baby! And dance the Retrosploitation
McCabe and Mrs. Miller: A Snow Poem
Mickey One: Franz Kafka does Stand Up
Mississippi Mermaid: The Importance of Catherine Deneuve’s Face
Murder by Contract: When Death Doesn’t Matter Anymore
Night of the Following Day, The: ‘Brando Light’
Omega Man, The: Of Camp and Cult
Parallax View, The: Can We Really Trust a Film?
Performance: Enchanted by its own appearance
Planet of the Apes: More Clever than Camp
Playtime: Stanley Kubrick Meets Buster Keaton
Point Blank: More Zen than Existential
Private Property: The Swimming Pool at World’s End
Repo Man: What a Cult Film is Supposed to Do
Rififi: Resigned to The Combat Zone
Rocky Horror Picture Show, The: Why Dreams are Everything
Seventh Victim, The: How to Mix Genres
Some Girls Do: Diamonds R’ Forever, but Parody Ain’t
Soylent Green: Little Caesar Crosses the Rubicon
Suspiria: When Light is Your Protagonist
Tenebre: The Nightmarish Force of B-Films
Tenth Victim, The: originality that exceeds necessity
There’s a Girl in My Soup: A reluctant sex farce
Thomas Crown Affair, The: Beauty Needs No Excuse
Tonite Let’s All Make Love in London: Time Machines Are Always Jumpy
Tony Rome: The Odd Appeal of An Anachronism
Touchables, The: A Gateway Film to Wonderland
Two-Lane Blacktop: To Be in Hell is to Drift
Valley of the Dolls: The Enduring Art of Awfulness
Walk on the Wild Side: Shaky Ground
Whip & the Body, The: It’s Effort not Accomplishment
Who Killed Teddy Bear?: Better call Sal
Wicker Man, The: The Citizen Kane of Horror
Wild Ones on Wheels: The Important Endurance of Bad Films
Witchfinder General: The Horror of Detachment
Withnail & I: Hamlet Leaves Town
Wonderwall: A Home Movie from a Colorful Time
Wrecking Crew, The: Menefreghismo at its Best
Zabriskie Point: A Static Road Picture
Zardoz: James Bond in One Million Years B.C.

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