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Cult Films: Retro Reviews for Now People

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Cult Films: Retro Reviews for Now People

Where hindsight is 20/20.

play something else — Dunaway. McQueen. Thomas Crown Affair. 1968

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2022 I. M. Clarke

Author I. M. ClarkePosted on March 8, 2018March 12, 2022Tags 1960s films, 1970s films, billy jack, Black Sunday, Black Sunday: A Horror that thinks it’s a Romance Blast of Silence: An existential wail Blood & Black Lace: Horror of Hallucination Carnival of Souls: A World Without Money Casino Royale (1967), Blast of Silence, Blood and Black LAce, Brides of Dracula, Casino Royale (1967), Christopher Lee, Cult Films, Danger Diabolik, david niven, Death Laid An Egg, Don't Look Now, donald sutherland, Don’t Make Waves, dr phibes, Dracula, Dracula and Frankenstein, Easy Rider, elliot gould, Eye of the Devil, Faster, Faster Pussycat Kill Kill, Faster Pussycat Kill Kill!, faye dunaway, fellini, Film Reviews, Frankenstein, Head the Monkees, Kill, marlon brando, Maroc, MASH, Mash 4077, McCabe and Mrs. Miller, Mick Jagger, Performance, Performance Mick Jagger, peter sellers, Planet of the Apes, Point Blank, Pussycat, retro film reviews, roman polanski, sharon tate, Some Girl Do, steve mcqueen, Suspira, Suspiria, Tenebre, The 10th Victim, The Fearless Vampire Killers, The Long Goodbye, The Night of the Following Day, The Thomas Crown Affair, The Wickerman, The Wrecking Crew, There's a Girl in my Soup, tony curtis, Two lane blacktop, ursula andress, Valley of the Dolls, who killed teddy bear?, witchfindergeneral, Withnail and I, woody allen

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Reviews by Ian Clarke

After Hours: Scorcese Does Buster Keaton
Billy Jack: Jekyll & Hyde Go Hippy
Black Sunday: A Horror that thinks it’s a Romance
Blast of Silence: An existential wail
Blood & Black Lace: Horror of Hallucination
Carnival of Souls: A World Without Money
Casino Royale (1967) “The name is Bond, Jimmy Bond”
Danger: Diabolik: Look, Don’t Watch
Death Laid an Egg
Don’t Look Now: When Evil Loses its Context
Don’t Make Waves: Or ‘How a 60’s FrankenFilm Pulls it Off
Dracula & Frankenstein: A Crypt, a Castle and Nietzsche
Easy Rider: An Alluring Notion of Freedom
Eye of the Devil: Sharon Tate Breaks the Fourth Wall
Faster, Pussycat, Kill, Kill!: Campy Menace
Head: The Monkees’ Suicidal Act of Deconstruction, man
M*A*S*H: Or Animal House Goes to Korea
Marcoc 7: C’mon Baby! And dance the Retrosploitation
McCabe and Mrs. Miller: A Snow Poem
Performance: Enchanted by its own appearance
Planet of the Apes: More Clever than Camp
Point Blank: More Zen than Existential
Private Property: The Swimming Pool at World’s End
Some Girls Do: Diamonds R’ Forever, but Parody Ain’t
Suspiria: When Light is Your Protagonist
Tenebre: The Nightmarish Force of B-Films
The Abominable Dr. Phibes: A Triumph in Horror-Comedy
The Brides of Dracula: a vampire battles chronic health issues
The Fearless Vampire Killers: The Challenge of Comedy Horror
The Iron Rose: An Equation of Gothic Seduction
The Long Goodbye: Rip Van Winkle woke up in 1973
The Night of the Following Day: ‘Brando Light’
The Tenth Victim: originality that exceeds necessity
The Thomas Crown Affair: Beauty Needs No Excuse
The Wicker Man: The Citizen Kane of Horror
The Wrecking Crew: Menefreghismo at its Best
There’s a Girl in My Soup: A reluctant sex farce
Two-Lane Blacktop: To Be in Hell is to Drift
Valley of the Dolls: The Enduring Art of Awfulness
Who Killed Teddy Bear?: Better call Sal
Witchfinder General: The Horror of Detachment
Withnail & I: Hamlet Leaves Town
Zardoz: James Bond in One Million Years B.C.

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